PDF Ebook Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice, by Juliette Aristides
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Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice, by Juliette Aristides
PDF Ebook Classical Drawing Atelier: A Contemporary Guide to Traditional Studio Practice, by Juliette Aristides
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About the Author
Juliette Aristides is the author of Classical Painting Atelier and Classical Drawing Atelier. She is the instructor of the Aristides Classical Atelier at the Gage Academy of Art in Seattle, Washington, where she lives. Her work is exhibited at the John Pence Gallery in San Francisco and can be seen at the Art Renewal Center.
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Product details
Hardcover: 144 pages
Publisher: Watson-Guptill; 1 edition (October 13, 2006)
Language: English
ISBN-10: 0823006573
ISBN-13: 978-0823006571
Product Dimensions:
9.3 x 0.7 x 11.4 inches
Shipping Weight: 1.9 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
93 customer reviews
Amazon Best Sellers Rank:
#107,795 in Books (See Top 100 in Books)
This book is great for those interested in the history of drawing ateliers and possibly some of the practices. That being said, it provides very limited information on the actual practice of drawing. If you're looking for a book to actually teach you atelier methods, I'd suggest looking for a different one.
I own all of Juliette Aristides books Classical Drawing Atelier, Classical Painting Atelier, Lessons in Classical Drawing and Lessons in Classical Painting. After spending ten years studying design, I have yet to find any books that are better than this series, and for those that want to learn more about the atelier movement and classical art training, you won't' find a more qualified teacher than Juliette Aristides. Because of the Modern Art movement of the 20th century, most of this information was lost. However, because of artists like Juliette Aristides, Myron Barnstone, Dot Bunn, Gwendolyn Stine, and many other highly skilled artists, this information is finally being revived. Additionally, for those that want to learn more about Dynamic Symmetry, I recommend purchasing the books Classical Drawing Atelier and Classical Painting Atelier. Juliette talks about the golden section and design using the 14 line armature of the rectangle as well as all the root rectangles.
Really enjoyed! Been a professional artist for many years and I still learned a few things that weren't taught when I attended art school! Always wanted to follow the traditions of the masters. Juliette Aristides has helped pave the way for those of us who were caught up in the miasma of 20th century art training. Would love to attend her atlier in Seattle or go to the Angel academy in Florence, but for those of us who are unable to do so, this book is really appreciated.
Mostly historical and reference, short on instruction yet recommendable.
I have learned so much from this book. It is a good read. More like a text book. The chapter on design, chapter II, was awesome. I have taken a few art classes but, for the most part I am self taught. I could never figure out why some of my drawing were fantastic and others just so so in spite of being good drawings it seemed that something was always missing and it all had to do with design. My portraits have improved by leaps and bounds. I would recommend this for any skill level.
At the least, I would recommend grabbing this book together with Miss Aristides' other book, Lessons in Classical Drawing: Essential Techniques from Inside the Atelier. It seems fitting them hand in hand form a complete togetherness to me. This is a great place to start if REALLY interested in the practice of fine art drawing. BUT this should not be taken likely, for if you do not wish to devote serious time and energy in to this type of drawing one would be better off with a bunch of the lesser books of practice.
As with the other books in this series ( all of which I have read) it is presented to a high standard. It is thoroughly researched. Each chapter is carefully narrated. You will learn an immeasurable amount as you work your way through the book. Like the other books that Juliette Aristides has authored I am of the view that this book will be of greater benefit to someone who has been drawing and or painting for a while. Such a person will have experienced some of the issues that arise in doing art and the book will give perspective to and invaluable assistance to such a person. It may appear more academic and not so interesting to someone who is picking up a pencil or paint brush for the first time. Reading these books caused me to reflect on maybe travelling to the art school Juliette Aristides teaches at just to experience first hand her ideas and skills. I highly recommend this book and the other books for someone who is an artist and wants to understand more of the traditional school of realism. This book is hard back and great value. It is a good reference book to keep on the shelf after reading it.
This is a deep book, a kind of survey of essential drawing topics for the artist student, beginning or advanced. My impression is that Ms. Aristides covers the curriculum of her Atelier, explaining the theory behind the practices and learning accomplished there. At any rate, what she discusses she treats thoroughly and thoughtfully with valuable insights. For instance, I have read a number of excellent books on drawing, but hers is the first that defined for me the different meanings contained in straight lines verses curved lines. For me, a key insight. So I think the true value of this book, in addition to spelling out what her students do and learn, is the key artistic wisdom Ms. Aristides shares out of her experience and expert skills.
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